jordan peele

Best Horror Movies of 2019

2019 is sad because everyone’s doing Best of the Decade lists & forgetting about it. Well not me. Here are the horror films from the past year that I like best, in ascending order from least best to most best.


10. The Perfection

I had a very fun time watching this & an even better time describing it to others. Regardless of what Vincenzo Natali intended for the film, it works beautifully as high camp. Watch it with some wine & some bitchy friends.

Listen to our episode on The Perfection here.


9. The Field Guide to Evil

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The finest anthology of 2019 was this collection of folktales from from an impressive list of international filmmakers, including Veronika Franz & Severin Fiala (Goodnight Mommy), Can Evrenol (Baskin) & Peter Strickland (In Fabric). It’s by turns bizarre, awkwardly funny & disgusting, & of course, creepy.

Listen to our episode on The Field Guide to Evil here.


8. Knife + Heart

A treat for fans of Giallo, this slasher is awash in lurid colors and full of sly humor. How this didn’t make it onto John Waters’ favorite films of 2019 is beyond me.


7. Greta

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One of the only good things about 2019 is that not one but two delightfully campy movies got wide releases - one on Netflix (see #10) & this one, which somehow made it into multiplexes. If you haven’t seen Isabelle Huppert scamper about with a kitchen knife on the big screen then you have not lived.


6. Ready or Not

AKA the movie that introduced me to the fabulous Samara Weaving. It’s also the movie that proved the guys from Radio Silence could make a feature film as good as their shorts.

Listen to our episode on Ready or Not here.


5. Piercing

Raise your hand if you still think of The Eyes of My Mother from time to time. Yeah, me too. In Pesce’s directorial follow-up we’re again introduced to a strange, lonely person with… let’s just say unique interests. Instead of living hidden away from civilization, the lead in this film hides in plain sight, only revealing who he truly is to his victims in their last moments. The other distinct difference is that this lead finds someone just as strange as he is. It’s kind of a happy ending instead of Eyes’s tragic one. Happy if you’re a weirdo, anyway.

Listen to our episode on Piercing here.


4. One Cut of the Dead

The only film as clever as this one in 2019 was Parasite, & that’s the most lauded movie of the year. Not too shabby, One Cut of the Dead. This is maybe the best love letter to filmmaking to come out this decade, & yes, I’ve seen Hugo.

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3. Us

Jordan Peele excels at so many things you almost want to hate him. How can someone be so good at both comedy & horror, AND have the ability to meld the two together so seamlessly? Sure, Us plays pretty fast & loose with logic., & isn’t quite as perfectly structured as Get Out. It’s also a good deal scarier & more visually impressive than his feature debut.

Listen to our episode on Us here.


2. Midsommar

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The feel-good movie of the year, if you’re in need of some vicarious catharsis. Aster is great at highlighting the absurdity of death & grief, both in this film & in Hereditary. It just took seeing this one for me to pick up on those aspects of Hereditary. I’m still not sure which of the two I like more, but I look forward to watching this one again to try to figure it out.

Listen to our episode on Midsommar here.


1. The Lighthouse

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As I’ve said time & time again, I’m a sucker for a pretty movie. Looking at my top two picks should prove that to you. The Lighthouse gets the top spot because, in addition to the gorgeous black & white & that amazing lighting, the movie’s also creepy & extremely funny. And I haven’t even mentioned the score! I never would have thought that a movie with this many farts could be this good.

Listen to our episode on The Lighthouse here.

Best Horror of 2017 | Amy's Picks

It can't be overstated that 2017 was a huge year for horror movies. We had the biggest movie of the year in IT & artistic credibility & social relevance with Get Out. Of course, this has meant zillions of silly think pieces from news outlets about how horror has suddenly become this valuable reflection of society's fears again, as if this hasn't been the case with good horror all along. But on the positive side, it means more backing, for horror blockbusters & indies alike. Which means 2018 will probably be an even better year for horror than 2017 was. So we got that going for us, which is nice. Anyway, here's my list...


10 | The Void

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Weird Lovecraftian death cults, man.  I love em.  The Void had by far the best special effects this year, & was the most viscerally thrilling film I saw.  It shared a lot in common with one of my picks from previous years, Baskin, but was lacking some of what made Baskin special.  Namely, the the non-linear timeline.

You can listen to our episode on it here.


9 | The Killing of a Sacred Deer

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It's about time Yorgos Lanthimos made a horror film. His movies are always uncomfortable, regardless of the genre. Might as well lean into it. This thriller in the vein of Michael Haneke's Cache uses that trademark Lanthimos skeevy awkwardness to full effect. Plus, the performances are great. Especially Barry Keoghan. Man, what a creepy role. 


8 | Killing Ground

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There hasn't been a really interesting "killers in the woods" movie since 2012's Black Rock, so I was pleasantly surprised at how much I enjoyed this one. Not so surprisingly, it's another Australian film. Killing Ground's fractured timeline set it apart, as does the unexpected but refreshing final act.

You can listen to our episode on it here


7 | The Girl with All the Gifts

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The bar is set awfully high for zombie movies nowadays. I know plenty of people who refuse to watch another zombie movie regardless of how far afield that take on the mythology promises to be. I'll admit that's why it took me so long to watch this one. But, as usual, I was a fool. This is just as unique & fascinating as you've been told, & its star gives one of the very best performances of the year. Stop putting it off & watch this one already.


6 | We Go On

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This movie's got the least name recognition on the list, & the premise isn't groundbreaking - a guy who's paralyzed by his fear of death offers a cash reward for proof of the afterlife. Sometimes a movie doesn't need to be groundbreaking to be good. We Go On is just a really solid ghost story, with all the warmth & humanity that's necessary for a movie about death (which is what ghost stories are, really) to be effective.

Listen to our episode on it here.


5 | Thelma

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This was definitely the prettiest horror movie of 2017. Thelma rivals last year's The Eyes of My Mother in gorgeous shots illustrating the turmoil roiling under their heroine's meek exterior. 

Listen to our episode on it here.


4 | mother!

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I have no idea how this movie got a wide release. Seriously, do you know how many people have to sign off a wide release movie? Neither do I, but I'm sure it's a lot of people, & a lot of money. I love a scrappy indie success as much as the next guy, but the coolest story of 2017 is that Darren Aronofsky & Jennifer Lawrence were able to use their fame to trick mass audiences into watching an art film in the theater. 

Listen to our episode on it here.


3 | Get Out

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This was by far my most anticipated movie of 2017. I'd been excited since the first articles started hinting Jordan Peele was interested in making a horror movie. Watching his sketches you just knew he had a great understanding of horror & that he would have a cool approach. I also had a feeling it would be the smartest movie of the year. And look, I was right. Never doubt me!

Listen to our episode on it here.


2 | Raw

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Yeah yeah, it's real gross. But look, going from a teenager to an adult can be a really gross process. And all the biting & the gnawing & the face chewing aside, this is one of the very best coming-of-age movies I've seen. All the gore is just a bonus.

Listen to our episode on it here


1 | The Blackcoat's Daughter

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Here's what it comes down to - I really like Oz Perkins's style. I like the subject matter, I like his approach, the way he paces his movies, who he casts, the music he uses, the books that inspire him, all of it. If I ever made a horror movie, I'd want it to be a lot like The Blackcoat's Daughter. Hopefully he keeps on making them for me. In case he's taking suggestions, hey Oz! If you could make the next one even more Satan-y, that would be cool. Keep up the good work!

You can listen to our episode on The Blackcoat's Daughter here.


 

Honorable Mentions

As discussed on the program, the Twin Peaks return was my favorite thing of 2017. As it was technically not a movie, it was not included. Also, it would be unfair to the other contestants to compare them to my main man Mr. Lynch. Beware the Slenderman was really great, but I wasn't sure how to fit in a documentary on the list. Lastly, two of my favorite movies of 2017, A Ghost Story & Colossal, were sort of kind of almost but not quite horror movies, so I didn't include them,  either. But all these things are real good & Auntie Amy says to check em out! The end.